2.02: “The Circle”

More Bajoran political and religious intrigue! Also everyone is in love with and/or horny for Kira, which, you know what, fair enough.

Overall, this one is pretty decent — “The Homecoming”, though it had some good moments, was largely about setting things up, and we get a bit more of the story’s meat in this episode and the next.

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1.20: “In the Hands of the Prophets”

One season down, six to go. And y’all. Y’ALL. Y’all, I am kind of amazed that we’re here, not gonna lie. I half-expected that my ADHD ass would abandon this effort around “Move Along Home” at the latest. I am having so much fun doing this, and am so grateful to the handful of you who are joining me for it.

This also seems like an appropriate place to mention that I was on Antimatter Pod a couple of weeks ago, where we discussed religion in Star Trek! We touched specifically on this episode and Kai Winn, in fact. It was a ton of fun, and my thanks again to Liz and Anika for having me.

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1.19: “Duet”

W H E W!!!! Even by Deep Space Nine standards, this one is intense. This is the good shit, y’all. Cardassian war crimes! Kira struggling with trying to build something out of her anger and trauma! It’s even got Dukat being horny at Sisko!

(On that note, I feel like this is the place to mention that, title-wise, I always get this episode mixed up with season six’s “Waltz”, in which Dukat and Sisko get trapped in a cave together and Dukat calls Sisko “Benjamin” a lot.)

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1.18: “Dramatis Personae”

First, a housekeeping note: for some reason this weekend the comments got FILLED with spam — not sure why now, but there it is. I think I managed to catch all the spam and keep the real comments, but let me know if one of your comments got swept up, too. I’m tweaking my moderation settings, as well, which will (hopefully) help, but let me know if you run into problems commenting.

My notes on this one are fairly sparse, honestly. It’s just kind of…aggressively okay? Not bad enough to cringe over, but not good enough to be really noteworthy.

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September 2019 schedule

So, thus far, the two-episodes-a-week thing seems to be going OK! If anyone has strong feelings about why one a week was better, feel free to chime in, but for the moment, I’m gonna keep up with it.

  • September 3: “Dramatis Personae”
  • September 5: “Duet”
  • September 10: “In the Hands of the Prophets” (y’all, we’re almost done with the first season, this is blowing my mind)
  • September 12: “Homecoming”
  • September 17: “The Circle”
  • September 19: “The Siege”
  • September 24: “Invasive Procedures”
  • September 26: “Cardassians”

1.17: “The Forsaken”

This is one of those episodes where I like it, but I don’t really feel like I have much to say about it? It’s fine! On a scale of one to ten, I’d give it a solid six and a half or seven, and if I make a list of episodes in the first season that shouldn’t be skipped, this would be on it! It’s not bad enough for me to have a lot to say, but it’s also not good enough for me to have a lot to say, either. So we may be out of here quicker than usual, let’s find out!

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1.16: “If Wishes Were Horses”

The main thing I always remember about this episode is that apparently instead of Rumpelstiltskin it was originally going to be a leprechaun, and Colm Meaney was like “uh can u not”. Which…child-stealing is not really a leprechaun thing, is it? Like, Rumpelstiltskin is a much better fit for that to begin with, IMO.

And whenever I rewatch, the main thing I take away is “well, that was slightly more interesting than I remembered”. Which…yes. IDK, for all the flak that “Move Along Home” gets, “If Wishes Were Horses” is usually the first one that jumps to my mind when I’m thinking of why I don’t really like Deep Space Nine‘s first season as much as the rest of the show (though admittedly, it’s usually followed by “Move Along Home” and/or “The Storyteller”). It’s one of Trek’s obligatory “Weird Space Thing/Godlike Alien brings characters/desires/fears to life” episodes, which can be fun but can also be pretty dull, and while there are some fun character moments, it’s hard for me to find anything especially noteworthy. Or, noteworthy in a good way, more specifically.

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1.15: “Progress”

OK, so my initial thought, actually, is that it feels a lot like Mullibok is meant to be younger? Like, the reluctant respect and affection that develops between him and Kira feels a bit like he was meant to be a bit younger, and for some attraction to develop as well? Apparently the initial vision of the character was as someone significantly “more manipulative and less likable”, so maybe that’s why it feels a bit odd to me.

But more to the point, I FRIGGIN’ LOVE BAJORAN INTERNAL POLITICS. I love, love, love that the rebuilding of Bajor is not a neat, simple, smooth process. I love that people have different ideas about what it will mean to move forward, to build a new Bajor and to live in it, that there are costs to everything, and that there aren’t always clear answers about who’s right. In “The Storyteller”, Kira and Sisko discussed a Bajoran saying, that “the land and the people are one”, but that was really more appropriate, thematically, for this episode.

(This also makes it a bit annoying that every place we see on Bajor seems to have a sunny Mediterranean climate. I mean, I get the Doylist reasons, and Star Trek has frequently just sort of ignored the whole thing where a habitable planet is unlikely to have one single climate all over anyway, let alone a single culture. But it still kinda bugs me.)

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1.14: “The Storyteller”

This is another one where the central plot — Weird Space Thing of the Week — is something I can take or leave, but as a vehicle for some great character moments, it’s a delight.

I do have some questions about this particular Weird Space Thing. Primarily: no one ever noticed this before? The Cardassians came down so hard on Bajoran religion and culture in their efforts to “civilize” them, no one ever noticed that this idyllic little village had this weird superstition completely unlike anyplace else on Bajor? No one else on Bajor knows about this or has ever tried to help/investigate? (Come on, you can’t tell me ghost/cryptid hunters wouldn’t know about this and be investigating. Also, good lord where is my spinoff about ghost/cryptid hunters in the Star Trek universe?)

It also seems a bit odd that the chief medical officer on the station is being called for a two-hour trip to Bajor for a medical emergency — I get that Bajor’s still recovering and the infrastructure is shaky, but the Sirah’s condition doesn’t really seem to be anything particularly unusual; there must be someone closer than two hours away who can take care of him. For that matter, aren’t there other medical staff on the station? What if someone has a heart attack back on DS9 in the few days Bashir’s gone? Hell, what if someone just falls and breaks an arm while he’s asleep? This is a recipe for burnout, Starfleet! Teach your officers how to delegate!!!

(I know the village’s magistrate was pretty vague and just told them that they were in danger of extinction, so Bashir assumes it’s some kind of disease, but also…no one asked more follow-up questions? Or, like, thinks to alert the Bajoran government, who are dealing with trying to rebuild their society, that they have what sounds initially like a potential outbreak of some devastating disease on their hands? MY QUESTIONS STAND.)

But back to the topic of character development

Like “Battle Lines”, this feels like another good use of Bashir. Which is to say: they’re embracing the fact that he can be annoying as hell. I’ve mentioned before that it can feel, early on, like we’re meant to find Bashir’s inability to take a hint sort of cute and charming, which just tends to make it all the more irritating (and, when it involves his crush on Jadzia, flat-out gross and creepy). They lean into it here, however, with him being at least as annoying as he is helpful (the way they call attention to the rank difference feels like a very deliberate acknowledgement of the way Bashir’s coming on so strongly makes things really uncomfortable and awkward, for instance). Somewhat paradoxically, the fact that the text is admitting that yes, he’s being moderately obnoxious makes Bashir a lot more tolerable.

Bashir and O’Brien’s relationship will evolve a lot over the course of the series, and it’s a lot of fun, knowing that they end up as BFFs, seeing O’Brien struggling valiantly to hide his low-key hostility. WHOMST AMONG US HAS NEVER BEEN THERE, O’BRIEN? I believe that is what the kids today call a “big mood”.

(It’s also kind of fun, knowing that the primary reason their friendship was pushed heavily later was because the showrunners found out about Garak/Bashir shippers, panicked, and started avoiding putting them in scenes together, given that a large part of the fandom then proceeded to start shipping Bashir/O’Brien. I was never really into that pairing myself, but I *am* into doing things out of spite, so I wholeheartedly support the effort.)

The B plot

JAKE AND NOG ARE SUCH KIDS, BLESS THEM BOTH!!!! That’s most of what I’ve got. I was, however, weirdly delighted by Odo’s little smirk after he chases the kids from their hangout spot above the Promenade. You like the kids, Odo, don’t deny it.

Just. In a world where a twelve-year-old Black child with a toy was gunned down, and the shooting was ruled justified, with many, many voices rising up to defend his murderer because hey, he looked much older and was clearly a scary thug — in a world where the President of the United fucking States stands by his call for the state to murder a group of Black teenagers for a crime they did not commit — it feels really, really important to have this portrayal of a fourteen-year-old Black boy who’s treated by the narrative as just that: a fourteen-year-old boy. Jake Sisko is an awkward teenager who wants to play games, look at cute girls, and hang out with his best friend. He occasionally grieves for his dead mother, fights with said best friend, and needs advice from his father. He’s a kid. And it’s incredibly depressing and infuriating that, nearly twenty-five years after this episode aired, it’s still unusual for a Black teenager to be allowed to act his age.

I also appreciate how, for all that the plot with Varis isn’t treated as anything particularly out of the ordinary, it’s also, when I spend more than a few seconds thinking about it, completely brutal: Varis doesn’t have parents to turn to for help, like Nog and Jake do, because her parents were murdered. She’s a child, and she’s negotiating land rights on behalf of her people because anyone else who could do so was murdered. It’s a really lovely example of what makes Deep Space Nine so memorable: it would be so, so easy to let Varis’s storyline just be straight melodrama, but it’s not. She’s a sympathetic figure, but she’s also flawed; she makes missteps and struggles and, like many other Bajorans, she’s learning how to live in this new world they’re trying to build.

I have one more question

Why does Odo need a bucket, anyway? Can’t he just…be goo on the floor? Maybe he gets crud in him, like when you have to pick lint and cat hair off your clothes. Or…does he not have quarters? I guess if he’s living in the office, it’s pretty rude to other people working there to just be sleeping on the floor.

Horniness rankings

  1. Nog’s entirely age-appropriate crush on Varis is pretty friggin’ adorable.
  2. Bashir is channeling his horniness into enjoying the drama that plays out before him, and it’s also pretty hilarious.